The Teaching of Geometry — Context and Discussion
Edition facts
The Teaching of Geometry — Context and Discussion can be approached with a clearer sense of reading commitment from its source measurements: 93,891 words, 6 hr 49 min estimated reading time, and 13 detected text sections.
The text analysis averages about 23.6 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Geometry -- Study and teaching,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
ere the well-known treatises of Belli (1569), Cataneo (1567), and Bartoli (1589).[7]
The period of two centuries from about 1600 to about 1800 was quite as much given to experiments in the creation of a practical geometry as is the present time, and it was no doubt as much by way of protest against this false idea of the subject as a desire to improve upon Euclid that led the great French mathematician, Legendre, to publish his geometry in 1794,--a work that soon replaced Euclid in the schools of America.
It thus appears that the effort to make geometry practical is by no means new. Euclid knew of it, the Middle Ages contributed to it, that period vaguely styled the Renaissance joined in the movement, and the first three centuries of printing contributed a large literature to the subject. Out of all this effort some genuine good remains, but relatively not very much.[8] And so it will be with the present movement; it will serve its greatest purpose in making teachers think and read, and in adding to their interest and enthusiasm and to the interest of their pupils; but it will not greatly change geometry, because no serious person ever believed that geometry was taught chiefly for practical purposes, or was made more interesting or valuable through such a pretense. Changes in sequence, in definitions, and in proofs will come little by little; but that there will be any such radical change in these matters in the immediate future, as some writers have anticipated, is not probable.[9]
A recent writer of much acumen[10] has summed up this thought in these words:
Not one tenth of the graduates of our high schools ever enter professions in which their algebra and geometry are applied to concrete realities; not one day in three hundred sixty-five is a high school graduate called upon to "apply," as it is called, an algebraic or a geometrical proposition.... Why, then, do we teach these subjects, if this alone is the sense of the word "practical"!... To me the solution of this paradox consists in boldly confronting the dilemma, and in saying that our conception of the practical utility of those studies must be readjusted, and that we have frankly to face the truth that the "practical" ends we seek are in a sense _ideal_ practical ends, yet such as have, after all, an eminently utilitarian value in the intellectual sphere.
He quotes from C. S. Jackson, a progressive contemporary teacher of mechanics in England, who speaks of pupils confusing millimeters and centimeters in some simple computation, and who adds:
There is the enemy! The real enemy we have to fight against, whatever we teach, is carelessness, inaccuracy, forgetfulness, and slovenliness. That battle has been fought and won with diverse weapons. It has, for instance, been fought with Latin grammar before now, and won. I say that because we must be very careful to guard against the notion that there is any one panacea for this sort of thing. It borders on quackery to say that elementary physics will cure everything.
And of course the same thing may be said for mathematics. Nevertheless it is doubtful if we have any other subject that does so much to bring to the front this danger of carelessness, of slovenly reasoning, of inaccuracy, and of forgetfulness as this science of geometry, which has been so polished and perfected as the centuries have gone on.
There have been those who did not proclaim the utilitarian value of geometry, but who fell into as serious an error, namely, the advocating of geometry as a means of training the memory. In times not so very far past, and to some extent to-day, the memorizing of proofs has been justified on this ground. This error has, however, been fully exposed by our modern psychologists. They have shown that the person who memorizes the propositions of Euclid by number is no more capable of memorizing other facts than he was before, and that the learning of proofs verbatim is of no assistance whatever in retaining matter that is helpful in other lines of work. Geometry, therefore, as a training of the memory is of no more value than any other subject in the curriculum.
If geometry is not studied chiefly because it is practical, or because it trains the memory, what reasons can be adduced for its presence in the courses of study of every civilized country? Is it not, after all, a mere fetish, and are not those virulent writers correct who see nothing good in the subject save only its utilities?[11] Of this type one of the most entertaining is William J. Locke,[12] whose words upon the subject are well worth reading:
... I earned my living at school slavery, teaching to children the most useless, the most disastrous, the most soul-cramping branch of knowledge wherewith pedagogues in their insensate folly have crippled the minds and blasted the lives of thousands of their fellow creatures--elementary mathematics. There is no more reason for any human being on God's earth to be acquainted with the binomial theorem or the solution of triangles, unless he is a professional scientist,--when he can begin to specialize in mathematics at the same age as the lawyer begins to specialize in law or the surgeon in anatomy,--than for him to be expert in Choctaw, the Cabala, or the Book of Mormon. I look back with feelings of shame and degradation to the days when, for a crust of bread, I prostituted my intelligence to wasting the precious hours of impressionable childhood, which could have been filled with so many beautiful and meaningful things, over this utterly futile and inhuman subject. It trains the mind,--it teaches boys to think, they say. It doesn't. In reality it is a cut-and-dried subject, easy to fit into a school curriculum. Its sacrosanctity saves educationalists an enormous amount of trouble, and its chief use is to enable mindless young men from the universities to make a dishonest living by teaching it to others, who in their turn may teach it to a future generation.
To be fair we must face just such attacks, and we must recognize that they set forth the feelings of many honest people. One is tempted to inquire if Mr. Locke could have written in such an incisive style if he had not, as was the case, graduated with honors in mathematics at one of the great universities. But he might reply that if his mind had not been warped by mathematics, he would have written more temperately, so the honors in the argument would be even. Much more to the point is the fact that Mr. Locke taught mathematics in the schools of England, and that these schools do not seem to the rest of the world to furnish a good type of the teaching of elementary mathematics. No country goes to England for its model in this particular branch of education, although the work is rapidly changing there, and Mr. Locke pictures a local condition in teaching rather than a general condition in mathematics. Few visitors to the schools of England would care to teach mathematics as they see it taught there, in spite of their recognition of the thoroughness of the work and the earnestness of many of the teachers. It is also of interest to note that the greatest protests against formal mathematics have come from England, as witness the utterances of such men as Sir William Hamilton and Professors Perry, Minchin, Henrici, and Alfred Lodge. It may therefore be questioned whether these scholars are not unconsciously protesting against the English methods and curriculum rather than against the subject itself. When Professor Minchin says that he had been through the six books of Euclid without really understanding an angle, it is Euclid's text and his own teacher that are at fault, and not geometry.
Before considering directly the question as to why geometry should be taught, let us turn for a moment to the other subjects in the secondary curriculum. Why, for example, do we study literature? "It does not lower the price of bread," as Malherbe remarked in speaking of the commentary of Bachet on the great work of Diophantus. Is it for the purpose of making authors? Not one person out of ten thousand who study literature ever writes for publication. And why do we allow pupils to waste their time in physical education? It uses valuable hours, it wastes money, and it is dangerous to life and limb. Would it not be better to set pupils at sawing wood? And why do we study music? To give pleasure by our performances? How many who attempt to play the piano or to sing give much pleasure to any but themselves, and possibly their parents? The study of grammar does not make an accurate writer, nor the study of rhetoric an orator, nor the study of meter a poet, nor the study of pedagogy a teacher. The study of geography in the school does not make travel particularly easier, nor does the study of biology tend to populate the earth. So we might pass in review the various subjects that we study and ought to study, and in no case would we find utility the moving cause, and in every case would we find it difficult to state the one great reason for the pursuit of the subject in question,--and so it is with geometry.
What positive reasons can now be adduced for the study of a subject that occupies upwards of a year in the school course, and that is, perhaps unwisely, required of all pupils? Probably the primary reason, if we do not attempt to deceive ourselves, is pleasure. We study music because music gives us pleasure, not necessarily our own music, but good music, whether ours, or, as is more probable, that of others. We study literature because we derive pleasure from books; the better the book the more subtle and lasting the pleasure. We study art because we receive pleasure from the great works of the masters, and probably we appreciate them the more because we have dabbled a little in pigments or in clay. We do not expect to be composers, or poets, or sculptors, but we wish to appreciate music and letters and the fine arts, and to derive pleasure from them and to be uplifted by them. At any rate, these are the nobler reasons for their study.
So it is with geometry. We study it because we derive pleasure from contact with a great and an ancient body of learning that has occupied the attention of master minds during the thousands of years in which it has been perfected, and we are uplifted by it. To deny that our pupils derive this pleasure from the study is to confess ourselves poor teachers, for most pupils do have positive enjoyment in the pursuit of geometry, in spite of the tradition that leads them to proclaim a general dislike for all study. This enjoyment is partly that of the game,--the playing of a game that can always be won, but that cannot be won too easily. It is partly that of the æsthetic, the pleasure of symmetry of form, the delight of fitting things together. But probably it lies chiefly in the mental uplift that geometry brings, the contact with absolute truth, and the approach that one makes to the Infinite. We are not quite sure of any one thing in biology; our knowledge of geology is relatively very slight, and the economic laws of society are uncertain to every one except some individual who attempts to set them forth; but before the world was fashioned the square on the hypotenuse was equal to the sum of the squares on the other two sides of a right triangle, and it will be so after this world is dead; and the inhabitant of Mars, if he exists, probably knows its truth as we know it. The uplift of this contact with absolute truth, with truth eternal, gives pleasure to humanity to a greater or less degree, depending upon the mental equipment of the particular individual; but it probably gives an appreciable amount of pleasure to every student of geometry who has a teacher worthy of the name. First, then, and foremost as a reason for studying geometry has always stood, and will always stand, the pleasure and the mental uplift that comes from contact with such a great body of human learning, and particularly with the exact truth that it contains. The teacher who is imbued with this feeling is on the road to success, whatever method of presentation he may use; the one who is not imbued with it is on the road to failure, however logical his presentation or however large his supply of practical applications.
Subordinate to these reasons for studying geometry are many others, exactly as with all other subjects of the curriculum. Geometry, for example, offers the best developed application of logic that we have, or are likely to have, in the school course. This does not mean that it always exemplifies perfect logic, for it does not; but to the pupil who is not ready for logic, per se, it offers an example of close reasoning such as his other subjects do not offer. We may say, and possibly with truth, that one who studies geometry will not reason more clearly on a financial proposition than one who does not; but in spite of the results of the very meager experiments of the psychologists, it is probable that the man who has had some drill in syllogisms, and who has learned to select the essentials and to neglect the nonessentials in reaching his conclusions, has acquired habits in reasoning that will help him in every line of work. As part of this equipment there is also a terseness of statement and a clearness in arrangement of points in an argument that has been the subject of comment by many writers.
Upon this same topic an English writer, in one of the sanest of recent monographs upon the subject,[13] has expressed his views in the following words:
The statement that a given individual has received a sound geometrical training implies that he has segregated from the whole of his sense impressions a certain set of these impressions, that he has then eliminated from their consideration all irrelevant impressions (in other words, acquired a subjective command of these impressions), that he has developed on the basis of these impressions an ordered and continuous system of logical deduction, and finally that he is capable of expressing the nature of these impressions and his deductions therefrom in terms simple and free from ambiguity. Now the slightest consideration will convince any one not already conversant with the idea, that the same sequence of mental processes underlies the whole career of any individual in any walk of life if only he is not concerned entirely with manual labor; consequently a full training in the performance of such sequences must be regarded as forming an essential part of any education worthy of the name. Moreover, the full appreciation of such processes has a higher value than is contained in the mental training involved, great though this be, for it induces an appreciation of intellectual unity and beauty which plays for the mind that part which the appreciation of schemes of shape and color plays for the artistic faculties; or, again, that part which the appreciation of a body of religious doctrine plays for the ethical aspirations. Now geometry is not the sole possible basis for inculcating this appreciation. Logic is an alternative for adults, provided that the individual is possessed of sufficient wide, though rough, experience on which to base his reasoning. Geometry is, however, highly desirable in that the objective bases are so simple and precise that they can be grasped at an early age, that the amount of training for the imagination is very large, that the deductive processes are not beyond the scope of ordinary boys, and finally that it affords a better basis for exercise in the art of simple and exact expression than any other possible subject of a school course.
Are these results really secured by teachers, however, or are they merely imagined by the pedagogue as a justification for his existence? Do teachers have any such appreciation of geometry as has been suggested, and even if they have it, do they impart it to their pupils? In reply it may be said, probably with perfect safety, that teachers of geometry appreciate their subject and lead their pupils to appreciate it to quite as great a degree as obtains in any other branch of education. What teacher appreciates fully the beauties of "In Memoriam," or of "Hamlet," or of "Paradise Lost," and what one inspires his pupils with all the nobility of these world classics? What teacher sees in biology all the grandeur of the evolution of the race, or imparts to his pupils the noble lessons of life that the study of this subject should suggest? What teacher of Latin brings his pupils to read the ancient letters with full appreciation of the dignity of style and the nobility of thought that they contain? And what teacher of French succeeds in bringing a pupil to carry on a conversation, to read a French magazine, to see the history imbedded in the words that are used, to realize the charm and power of the language, or to appreciate to the full a single classic? In other words, none of us fully appreciates his subject, and none of us can hope to bring his pupils to the ideal attitude toward any part of it. But it is probable that the teacher of geometry succeeds relatively better than the teacher of other subjects, because the science has reached a relatively higher state of perfection. The body of truth in geometry has been more clearly marked out, it has been more successfully fitted together, its lesson is more patent, and the experience of centuries has brought it into a shape that is more usable in the school. While, therefore, we have all kinds of teaching in all kinds of subjects, the very nature of the case leads to the belief that the class in geometry receives quite as much from the teacher and the subject as the class in any other branch in the school curriculum.
But is this not mere conjecture? What are the results of scientific investigation of the teaching of geometry? Unfortunately there is little hope from the results of such an inquiry, either here or in other fields. We cannot first weigh a pupil in an intellectual or moral balance, then feed him geometry, and then weigh him again, and then set back his clock of time and begin all over again with the same individual. There is no "before taking" and "after taking" of a subject that extends over a year or two of a pupil's life. We can weigh utilities roughly, we can estimate the pleasure of a subject relatively, but we cannot say that geometry is worth so many dollars, and history so many, and so on through the curriculum. The best we can do is to ask ourselves what the various subjects, with teachers of fairly equal merit, have done for us, and to inquire what has been the experience of other persons. Such an investigation results in showing that, with few exceptions, people who have studied geometry received as much of pleasure, of inspiration, of satisfaction, of what they call training from geometry as from any other subject of study,--given teachers of equal merit,--and that they would not willingly give up the something which geometry brought to them. If this were not the feeling, and if humanity believed that geometry is what Mr. Locke's words would seem to indicate, it would long ago have banished it from the schools, since upon this ground rather than upon the ground of utility the subject has always stood.
David Eugene Smith opens The Teaching of Geometry by mapping the possible approaches a writer on geometry education might take: from exploiting a new theory to making a plea for the ancient geometry, from iconoclasm to laissez-faire conservatism. He positions his own work for what he calls the 'great body of progressive teachers'—those who welcome natural evolution but reject both revolution and stagnation. The book, published in 1911, thus announces itself as a deliberate middle path, aiming to vitalize geometry without sacrificing its intellectual core.
A Deliberate Middle Path
Smith explicitly rejects the extremes of 'revolution' and 'stagnation,' aligning himself instead with teachers who seek 'the natural and gradual evolution of geometry toward better things.' This stance is not mere rhetoric; it shapes the book's structure and advice. He champions 'vitalizing geometry in every legitimate way' while insisting on 'geometry for geometry's sake and not for the sake of a fancied utility.' The preface thus establishes a tension between engagement and rigor that runs through the entire work. Smith is willing to doubt 'certain motives that have been exploited' and stands for a 'genuine, thought-compelling development of the science' suited to American high school students. The book offers no panacea and champions no single method, but seeks to set forth practical guidance for the classroom teacher.
Historical Roots and Classroom Practice
Smith weaves historical context into pedagogical advice. In discussing the theorem on vertical angles, he notes that Eudemus attributed its discovery to Thales of Miletus, and quotes Proclus: 'Thales it was who visited Egypt and first transferred to Hellenic soil this theory of geometry.' He also explains the origin of the term 'books' in geometry, tracing it to the Greek biblion and noting that efforts to change 'books' to 'chapters' have not succeeded. The historical digressions serve a practical purpose: they equip the teacher with background that can enliven lessons. For example, Smith describes how ancient treatises were written on papyrus or parchment, rolled into volumes, and kept in pail-like receptacles—details that connect the word 'volume' to its root meaning of 'roll.'
Theorems, Proofs, and Pedagogical Sequence
Smith offers specific recommendations on the order and treatment of theorems. He argues that the proposition on vertical angles is 'probably the best one with which to begin geometry,' because it is not so obvious as to need no proof, yet its proof is simple. He notes that Euclid placed it as Proposition 15, but modern pedagogy can assume the definition of a straight angle and begin earlier. For the side-angle-side congruence theorem, Smith observes that Euclid made it Proposition 4, after three construction problems; modern textbooks place it earlier. He also discusses the terminology of 'congruent' versus 'equal,' referencing his own earlier discussion. These choices reflect Smith's broader aim: to adapt the classical Euclidean sequence to the mental powers of high school pupils without sacrificing logical rigor.
Applications and Teacher Equipment
Smith includes a list of typical applications and general information that 'will add to the interest in the work and that should form part of the equipment of the teacher.' He illustrates the vertical angle theorem with familiar examples: 'any two crossed lines, as in a pair of shears or the legs of a camp stool, bring it to mind.' Such concrete references are typical of his approach—he wants geometry to connect to everyday experience without being reduced to mere utility. The book also discusses the etymology of mathematical terms, such as 'volume' from 'involve' and 'evolve,' and the origin of 'chapter' from the Latin caput (head). These linguistic asides are presented as part of the teacher's cultural equipment, not as required curriculum.
Smith's The Teaching of Geometry is best read as a practitioner's manual written by a scholar who knows both the history of mathematics and the realities of the American classroom. Its value lies not in grand theory but in specific, reasoned judgments about what to teach, in what order, and with what emphasis. Teachers will find here a patient, historically informed voice that respects the discipline while seeking to make it accessible—a balance that remains relevant more than a century later.
Reading about Smith’s careful balance between reform and tradition, I remembered sitting with my grandfather’s old geography lessons, feeling that same tension between wanting to make things lively and honoring what came before. That memory surfaced again when I last leafed through Lessons in chalk modeling: The new method of map drawing — Text and Context, where the patient shaping of clay felt like a quiet answer to the same old question.
There are no reviews for this eBook.
Your personal reading reflection
Build a private reading journal entry for this title.
Sara Reynolds - 3 weeks ago
Matthew Orozco - 2 weeks ago
Terrance Fowler - 1 week ago